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Timothy Willis

Are We Having Fun Yet

Timothy Willis occupies a distinctive place in the Willis family: he is the eighth child, one of three sons, and the second boy after Benedict Patrick Willis III. His identity is presented through the family’s recollections rather than through an independent biography, but those recollections give him a clear trajectory. He enters a household already crowded with six daughters, becomes the younger participant in a sustained fraternal conflict, and ends as the brother whose character is publicly honored by Benedict Patrick Willis III. His story turns a potentially destructive sibling rivalry into evidence of affection, integrity, and inherited family loyalty.

Identity and Family Background

Timothy Willis was born in December 1961, twenty-one months after Benedict Patrick Willis III. He was due in November, so his late arrival became part of the family’s chronology, but his birth also marked a major emotional change in the household. Before him came JoEllen Willis, Kim Willis, Patty Willis, Maureen Willis, Fran Willis, and Jeane Willis; after him came Jerry Willis in January 1964 and Danny Willis in July 1966. Timothy therefore grew up between an older brother and two younger brothers, surrounded by six sisters and by parents who treated the expanding family as an act of faith rather than as a problem to be solved.

His mother had initially worried about Benedict Patrick Willis III’s future as the only son among the girls. The girls’ baby carriage was even repurposed as a wagon, but Benedict Patrick Willis III remained unmistakably a boy. Wanting him to have a brother, Kay Willis and Bub Willis deliberately decided to have another child. During the pregnancy, the older children prayed for a healthy new Timothy, and Kay Willis recalls having no doubt that he was on his way. Timothy’s arrival was followed by further sons, Jerry Willis and Danny Willis, so his birth helped transform a household once organized around one boy and six girls into a larger mixed sibling group.

The social world around Timothy was itself unusually communal. Kay Willis remembers the family of ten as part of a neighborhood on Wood Street filled with other large, stable families, including the Eberts, the Mannys, and the Chaivellos. More than thirty children could unofficially close the block for kickball, football, and other games. Timothy’s childhood thus belongs to a setting in which large families were ordinary, streets functioned as shared playgrounds, and a child’s identity was formed through constant proximity to siblings and neighborhood companions.

Childhood and Place in the Household

Timothy grew up within the family culture Kay Willis had always wanted: she had been raised in Passaic, New Jersey, by parents who made her feel loved and intellectually capable, and she had wanted to become a mother for as long as she could remember. Her account of the children is consequently both affectionate and unsentimental. Six daughters were born in seven years, and the later births extended the same pattern of dense family life. Timothy was not an isolated late child but part of a continuing sequence in which every new arrival altered the balance of the household.

The family’s size brought strain as well as joy. Kay Willis states that she remembered feeling tired and trapped, yet she also describes herself as young and enjoying her children. During her pregnancies, severe nausea led her to invent the game called EMERGENCY: when she shouted the word, the girls had to stop what they were doing and sit still until she recovered. Their early understanding of an emergency was therefore comic and domestic; when an emergency vehicle passed the house, they associated it with their mother being sick. Timothy entered a family where physical exhaustion was managed through rules, imagination, and humor rather than concealed behind an idealized picture of effortless motherhood.

That humor was part of the household’s inheritance. Kay Willis credits her mother with defusing tension through quick wit and with teaching the value of maintaining humor during personal, professional, and financial stress. Timothy’s later behavior reflects the same family atmosphere. When Benedict Patrick Willis III chose him as godfather, Timothy initially responded in a funny, characteristic way before moving into an earnest speech. The contrast matters: he could meet emotion with humor without using humor to escape emotion.

Rivalry with Benedict Patrick Willis III

The central conflict in Timothy Willis’s story is his long adolescence-long rivalry with Benedict Patrick Willis III. Kay Willis describes the brothers as almost two years apart and recalls having to stand literally between them to stop their fights. The conflict was not a short-lived phase; it continued for years and became a recurring ordeal for the household. Kay Willis even prayed that the brothers would eventually move to separate parts of the country before they permanently scarred one another.

The rivalry was serious enough to make separation seem like a form of protection, but the narrative does not reduce either brother to an enemy. Their relationship began to improve, perhaps when both played varsity football on the same high school team, or perhaps later, when their college years placed them in different states. The uncertainty about the exact turning point suggests that reconciliation was gradual rather than produced by one clearly announced conversion. Shared competition may have given their antagonism a disciplined outlet, while distance interrupted the daily conditions that had allowed childhood fights to recur.

The later outcome reverses the meaning of the earlier conflict. The brothers who once required their mother’s physical intervention come to recognize one another as models. Timothy had apparently regarded Benedict Patrick Willis III as embodying strength and integrity, while Benedict Patrick Willis III ultimately admired Timothy enough to entrust him with a formative role in his son’s life. Their rivalry therefore becomes a movement from comparison and collision toward reciprocal emulation: each brother sees in the other qualities he wants to possess.

Godfather Choice and Reconciliation

The decisive reconciliation occurred after Benedict Patrick Willis III’s wife, Madeleine, gave birth to Benedict Patrick Willis IV in a New York City hospital. Five members of the family were working in the city and arranged to meet at their favorite Irish pub. The sisters were eager to learn which godparents Benedict Patrick Willis III and Madeleine had chosen, especially which brother would become the godfather. Benedict Patrick Willis III wanted to discuss his decision privately, but the sisters’ persistence overcame his attempt to delay the announcement.

During an emotional midnight telephone conversation from the pub, one of the daughters told Kay Willis what had happened. Benedict Patrick Willis III raised his glass and spoke of his admiration and respect for Timothy. He said that he wanted his own son to grow up like Timothy and emulate his uncle in every way, then asked Timothy to help inspire Benedict Patrick Willis IV and to become his godfather. The choice did more than assign Timothy a ceremonial family role. It publicly recast him from the brother who had been part of years of fighting as a man whose character was worthy of imitation and whose influence could help shape the next generation.

The announcement moved everyone at the table; the Irish waitress came over because no one seemed able to stop crying. Timothy needed several minutes to collect himself. When he did, he was funny at first, as Kay Willis says was typical of him, but then he answered with equal seriousness. He explained that he was surprised by Benedict Patrick Willis III’s admiration because Timothy himself had always tried to emulate Benedict Patrick Willis III’s strength and integrity. The brothers’ reconciliation therefore becomes mutual rather than hierarchical. Benedict Patrick Willis III does not simply forgive or elevate Timothy, and Timothy does not merely receive praise; each acknowledges that the other has been an object of aspiration.

Narrative Role and Significance

Timothy Willis is significant less as a separately narrated protagonist than as the agent of a family reversal. His birth expands the household’s movement from six daughters and one son toward a still larger family; his adolescence embodies the friction produced by children growing up in constant proximity; and his adulthood supplies the emotional resolution to one of the book’s most vivid accounts of sibling rivalry. The story’s climax is not a victory in the old contest but the discovery that both brothers have been carrying an image of the other as a source of strength.

His role also supports Kay Willis’s broader argument that family life is formed through time rather than through isolated perfect moments. Timothy’s relationship with Benedict Patrick Willis III does not improve because conflict never existed. It improves after years of fighting, shared experience, altered circumstances, and physical distance. The godfather decision reveals the accumulated result: traits that were once buried beneath competition have become visible as admiration, respect, and responsibility.

Finally, Timothy represents the way the Willis family converts private history into a continuing bond between generations. Benedict Patrick Willis III chooses him not simply because he is a brother, but because Timothy has become the kind of man whose conduct can be offered to a child as an example. The boy once prayed for before his birth is thus remembered at the far end of the account as a source of moral and emotional inheritance. His ending is not departure from the family but deeper inclusion within it, as brother, uncle, godfather, and model for Benedict Patrick Willis IV.

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